Story is what sells the book and attracts readers, Donald Maass, a top agent and novelist, says in Writing the Breakout Novel. An author can have exciting characters, unique setting, tremendous dialogue, but if he doesn’t have a good story, he has nothing.
Story is taking an idea and bringing it to life by transporting the reader from one world to another through the experiences of a character on a mission—striving to reach a goal with a purpose. A story has the power to capture readers and allow them to experience the journey.
What makes story are the elements of characters, plot, setting, tone, and theme—also called purpose or message. But what brings the story to life is the journey toward the goal wrought with conflict. Without conflict, the story fails. In the story world, conflicts are those things that get in the way of the main characters reaching their goal(s). This means the character works, struggles, overcomes, fails, recovers, strives, and finally conquers. . .or fails to reach the goal, depending on the story’s genre.
While these elements make up a story, the authors uses a variety of techniques to deliver the story to the reader, including action, dialogue, introspection, narration, conflict and emotion. These techniques weave through the story while balancing the pacing of the plot. Using these techniques allows the reader to learn about the characters in a variety of ways.
The story will also be delivered to the reader in different ways:
• POV (point of view) refers to through which character’s eyes the reader is experiencing the story. First person is most intimate while third person is most common in popular fiction, and easiest to write. POV is therefore the focus person in the scene, and the character reveals himself to the reader through the elements above. Introspection only comes from a POV character because it is his thoughts and emotional reactions that can only be reveal by that kind of intimacy.
• Tense is another factor where an author has choices. The most popular is past tense. Bill walked outside or I walked outside. It is almost as if the story is being relayed to the reader by the character who experienced it, yet it gives the feeling of happening in the moment. Present tense is another option— Bill walks outside—but not as popular and is often less effective in certain genres such as romance where it is important for the reader to know both the hero and heroine intimately. Present tense is as if the story is happening now. Women’s fiction and some detective stories often use present tense.
• Approach refers to the way in which the author connects with the reader by
1. using a narrator who fills in the blanks because he knows everything (omniscient),
2. following the story in chronological order as things happen or moving back and forth in time sequence (flashbacks, time travel, two era saga),
3.literal, meaning what is happening is what’s important to the story or allegory which means what is important is a symbol to something greater such as a moral or lesson.
Each of these methods of presentation give the story a different feel and readers react to the approach either with a positive or negative feeling. The most popular method is chronological.
• Duration refers to the amount of time this story lasts. The TV show 24 covers one day with details of each underlying subplot spreading the story over months of time. Some novels last a week in the characters’ lives, others are a few months or a year, and family sagas will often cover generations. Some stories are more effective over a short period of time while some need the years to develop the story.
• Character’s Story World refers to the stage on which you place the story—era, country, planet, small town, rural countryside, urban city, fantasy kingdom, or in the future. The story world affects the character’s way of life, the social and political climate, morals and values, and accepted behaviors.
As you plan your novel and develop your story, realize that these techniques and elements offer you choices to create the best story you can and also offers challenges. You can give your good story a twist by trying a different duration, story world, POV or tense to make your story unique. Give careful thought to what you will use to deliver your story to the reader. You have choices.
Tuesday, February 23, 2010
Thursday, February 4, 2010
What Is Theme?
A question appeared in the comments of this blog asking for more information about theme. I'd covered the topic in previous blogs, but the questioner asked me, "What is theme?" This is my attempt to respond. If you'd like to share other thoughts, please include them in the comments.
One of the most difficult terms to define is theme? While sometimes called, the lesson, moral or main idea behind the story, theme is really more than that. A parable has a lesson and a fable has a moral which is obvious to the listener or reader, but theme serves more as a profound portrayal of the human condition.
Theme weaves through the plot, setting, and characters in a translucent thread that the reader extracts from his own experience or values. It communicates something deeper to readers than plot or story. Theme triggers an emotional response from readers, and without an emotion reaction, the story’s theme is usually weak or non-existent, or too vague to be comprehended.
Theme presents an infinite truth that makes a powerful impact on readers. It is often tangled in the goal of a the protagonist. It triggers emotion which is what clings to readers once the pages on the book have been closed and makes the story worth reading. Emotion has power to transport your story beyond entertainment as the them provides the impact of a universal meaning to your story.
This may sound vague, but theme is abstract, providing the heartbeat of your story. It cannot be forced. Author’s bring it to life by allowing the story’s truths to slip into the action, dialogue, introspection, and soul of the characters.
Some try to summarize this process by explaining it this way. Ask yourself, what did you learn from this novel? How did it touch you? Joy Cagil author of a blog on fiction writing suggests you ask this. What is the protagonist’s biggest decision to resolve the story’s conflict? These questions are about as close as you can get to defining theme. It is the underlying principle that motivates the protagonist to reach his goal, and it is a truth—belief or perspective—which most people hold in common.
Common themes might be that good defeats evil, money causes corruption, love makes the world go round, lies begat lies, gossip destroys, success is not measured by a bank account, jokes can backfire, friends stand by your side, people were not meant to be alone, freedom is better than servitude, love conquers all. I’m sure you can think of many, many others.
Think of novels you’ve read that have stuck with you and ask yourself why do you still remember this story? Besides plot, what message or value or truth did it leave you with? How did it impact your emotions? What did you take away with you when the book was finished? When you find the answer, you’ve most likely identified the theme of the novel.
One of the most difficult terms to define is theme? While sometimes called, the lesson, moral or main idea behind the story, theme is really more than that. A parable has a lesson and a fable has a moral which is obvious to the listener or reader, but theme serves more as a profound portrayal of the human condition.
Theme weaves through the plot, setting, and characters in a translucent thread that the reader extracts from his own experience or values. It communicates something deeper to readers than plot or story. Theme triggers an emotional response from readers, and without an emotion reaction, the story’s theme is usually weak or non-existent, or too vague to be comprehended.
Theme presents an infinite truth that makes a powerful impact on readers. It is often tangled in the goal of a the protagonist. It triggers emotion which is what clings to readers once the pages on the book have been closed and makes the story worth reading. Emotion has power to transport your story beyond entertainment as the them provides the impact of a universal meaning to your story.
This may sound vague, but theme is abstract, providing the heartbeat of your story. It cannot be forced. Author’s bring it to life by allowing the story’s truths to slip into the action, dialogue, introspection, and soul of the characters.
Some try to summarize this process by explaining it this way. Ask yourself, what did you learn from this novel? How did it touch you? Joy Cagil author of a blog on fiction writing suggests you ask this. What is the protagonist’s biggest decision to resolve the story’s conflict? These questions are about as close as you can get to defining theme. It is the underlying principle that motivates the protagonist to reach his goal, and it is a truth—belief or perspective—which most people hold in common.
Common themes might be that good defeats evil, money causes corruption, love makes the world go round, lies begat lies, gossip destroys, success is not measured by a bank account, jokes can backfire, friends stand by your side, people were not meant to be alone, freedom is better than servitude, love conquers all. I’m sure you can think of many, many others.
Think of novels you’ve read that have stuck with you and ask yourself why do you still remember this story? Besides plot, what message or value or truth did it leave you with? How did it impact your emotions? What did you take away with you when the book was finished? When you find the answer, you’ve most likely identified the theme of the novel.
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