Part I - Building a 3-Dimensional Hero Using Core Personalities

Whether you write suspense, romance, or adventure, any genre needs 3-D characters. Author Mark Mynheir presented a workshop many months ago on characterization and suggested the use of the Myers Briggs personality test to help create dynamic characters by using the basic core personalities and then wrapping a backstory history around him. Here is a site where you can check out the basic eight personality types used in the Myers Briggs test. http://www.personalitypage.com/html/info.html

But let’s begin by looking a four core personalities from Terrance Real’s book How Can I Get Through To You. In his book, he suggests people have four personalities: feeler, driver, analyzer, and elitist. Now we can take the eight personalities of Myer Briggs and find these personalities there as well, but for writing, these four will provide a good basis.

Feeler:
The feller is a person who reacts and interacts through emotion and comes across as warm and friend. He avoids confrontation and always tries to put the most positive twist on every situation. He prefers intimate groups rather than a crowd and rarely initiates conversation, especially with strangers. When in a larger group, he becomes more reticent and only expresses opinions that are non-aggressive. His emotions are often on his sleeve. His body language can be emotive. Think Oprah.

Driver:
The driver tends to be a Type A personality who is perceptive and therefore likes to control the situation. He is curious and enthusiastic while tending to pick up on the mood and style of the group he is in. He is verbal and quick-minded. His body action is animated. Some people might considered him overly-friendly, but he is naturally gregarious. He would be considered a nonconformist, willing to take changes if he sees the possibility of positive results. Think Bill O’Reilly

Analyzer:
The analyzer is organized, logical, and stoic. He is careful in what he says, controlling himself mentally, physically and verbally. Though he is pleasant, he keeps his distance and appears to need no one besides himself. Emotions are not for the analyzer, but intellect is. He is very self-confident and is not at ease in lighthearted or frivolous situations. Think Barbara Walters and Martha Stewart.

Elitist:
The elitist is aloof and feels superior. Although he appears friendly, he has a strong sense of his own importance. He observes his surroundings yet is detached from the situation. He can be charismatic and easily stands out in a crowd by his bearing and manner. Think Simon Cowell and Hannibal Lector.

Digest these core personalities and think how they might be used in your novel. Part II will add some layers to the core and pose some thoughts on how to use the core personalities to create great conflict.

Can a One-Day Plot Be Effective?

A while ago Jesse Young who follows this blog sent me a link to an interesting article  from ODP.com, and I thought it might be of interest to you.  When we plot, most of our novels cover a span of time. Family sagas cover decades while suspense spans only in a few days. Romance usually last a few months to a year. But have you ever thought of plotting a book that lasts only one day?

What must be considered when planning a one-day plot? Obviously excitement must happen immediately, an event so significant that makes a huge difference to the character. The plot could hinge on a catastrophic event or often a timebomb-type plot, something that drives the plot forward. If the hero doesn't locate the heroine, she will be gone from his life. If the terrorist isn't stop, the bomb could end the world. Think of novels like the TV show 24.

This article titled, 11 Excellent Novels that Take Place All in One Day, suggests that authors can learn a great deal from dissecting one or more of these classics to understand the elements that make these novels grab the reader and be remembered. The titles range from a classic Ulysses by James Joyce to the novel, A Single Man by Christopher Isherwood, recently made into a movie. Read the synopses of the plots to understand the elements that made these books stand out among the multitude of published books.

http://www.onlinedegreeprograms.com/blog/2011/11-excellent-novels-that-take-place-all-in-one-day/

What To Avoid To Be A Better Writer.

A while ago I read an article on my favorite topic---avoiding adverbs. Stephen King once said, "The road to hell is paved with adverbs," and I believe him. Adverbs as with adjectives, can weaken good writing for numerous reasons.

I found the blog on The Screenwrightist: Writing Tips on fictional storytelling for screenwriter, playwright, and novelist. The article titled, Why Good Writers Avoid Adverbs and Adjectives, covers the following topics: Lean, Powerful Prose, Specific Images, Actions, Being True to Character, Too Much Unnecessary Text, and Using Only Necessary Words.

This article is worth reading. Visit the website at: Click here: http://www.screenwrightist.com/avoid-writing-adverbs-adjectives